Art511

The Merry Wagtail Jades, The Breeches They Do Carry: Impudent women and cuckold’s horns.

The title of the work I exhibited at Eminent Domain derives from the broadside ballad ‘A new summons to all the merry wagtail jades that attend at horn fair.’ Printed and sold by J. Pitts in England in 1802 and 1819, it reads: “Come all you wagtail jades, Who love […]

Art511

The Sick Role

Samantha Conlon’s The Sick Role, 2018, is part documentation and part ritualistic photography accompanied with text composing a contemporary portrait of the mundane reality of mental illness. From a new body of work developed in Kuvataideakatemie, Helsinki, The Sick Role interrogates the experience of physical and mental illness in female […]

Art511

Turning Around and Speaking Back

The overarching theme of this year’s Wonder Women radical feminist festival in Manchester has to do with women’s representation and influence in our political and cultural institutions, responding to the centenary of the Representation of the People Act. 1918 was the first time that any women were able to vote […]

Art511

The Ritualistic Healing of the Suffragettes

The suffragettes’ militant activities were shocking for their time. June Purvis describes them as ‘transgressing the gender expectations of Edwardian society’; they unconsciously drew on a history of riotous actions and ritual behaviour that Julius R. Ruff portrays as ‘almost instinctual conduct’. Their rebellious behaviour can be read in the context of both early modern riot and festive […]

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Anna FC Smith is a Wigan (UK) based multimedia artist. She studied Critical Fine Art Practice at the University of Brighton, graduating in 2007, and has exhibited internationally. Smith has a longstanding obsession with the overlooked in history, folk culture and communal traditions. As a practitioner, she locates herself between artist, historian and anthropologist, with historical and anthropological research forming the basis of much of her work. Through her practice, Smith celebrates ‘low culture’ relating with concepts of the carnivalesque, bawdiness, irreverence and ambivalence. She explores the role of history and the archive, and the links contemporary society has with its predecessors. '[T]he rituals of modern mass culture have created a shifting and transient sense of the sacred, now invested in the political ideology of the moment, romantic love of nature, charismatic leaders, jingoistic nationalism, idealized domesticity, or endless cults, fads, ephemera. If societies demand rituals, then changing societies will produce changing rituals'.

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Art511

OPEN CALL FOR INTERSECTIONAL FEMINIST ART EXHIBITION- July 12-14, 2018 in West Chelsea Gallery Distract

EMINENT DOMAIN: A Flash Art Exhibition in the former Robert Miller space in West Chelsea is a curated selection of radical feminist art by female artists, eco-femmes, ghetto brujas, elders, queer/trans artists and other magical gender nomads reclaiming their rightful space in the Art World. We can unpack Feminism here […]

Art511

Women Hold Up Half the Sky: A Look at British Artist Ekua Bayunu

Ekua Bayunu just finished mounting her first solo exhibition at Manchester’s Chuck Gallery. Aptly titled Re:Birth, her show centers around a body of sculptural work reflecting women’s power and draws on aesthetic motifs of her African cultural heritage. After receiving a few rave reviews of her show, she was selected […]

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