“I didn’t choose to be an artist, art chose me,” says Gordon Sasaki. Working primarily in painting and sculpture, his minimalist compositions grapple with the human body and perception, and are most notable for their focus on disability. In his new series, wheel chairs dominate the frame, a politically-motivated stylistic move that is meant to challenge “ignorance and assumed artistic borders.” His chiefly graphic language is infused with hard lines and opaque color matching; the masterful subtlety of Sasaki’s acrylic and ink works on paper glow with uncanny phosphorescence.
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