“As a kid I was always devoted to being creative,” says Indrani, who started focusing on art as a teenager, drawn to its interdisciplinary nature and the sense of independence it offered. Working initially with installation, Ashe later integrated elements of performance, video and collage. Never wanting to limit herself to just one medium, she enjoys the challenge of working across many. “My work is about the body, the body as a home for an individual: how it connects or doesn’t connect to others, belongs or doesn’t belong, how it moves along in systems of gender, money, and status,” reflects the artist. Currently based in Berlin, Germany, she works from a desk or simple work table. Often, her greatest artistic challenge is finding time and money to work with. She is in the midst of producing a 4-channel video installation about her alter ego, Goddess and Psychedelic Pin up Artist, Sadette Delacroix. She’s also working on a collaborative project about “the morbidity of the European cultural superiority complex,” what will be “a humorous combination of performance, photography, and video,” says Indrani.
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