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The Ritualistic Healing of the Suffragettes

The suffragettes’ militant activities were shocking for their time. June Purvis describes them as ‘transgressing the gender expectations of Edwardian society’; they unconsciously drew on a history of riotous actions and ritual behaviour that Julius R. Ruff portrays as ‘almost instinctual conduct’. Their rebellious behaviour can be read in the context of both early modern riot and festive […]

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Anna FC Smith is a Wigan (UK) based multimedia artist. She studied Critical Fine Art Practice at the University of Brighton, graduating in 2007, and has exhibited internationally. Smith has a longstanding obsession with the overlooked in history, folk culture and communal traditions. As a practitioner, she locates herself between artist, historian and anthropologist, with historical and anthropological research forming the basis of much of her work. Through her practice, Smith celebrates ‘low culture’ relating with concepts of the carnivalesque, bawdiness, irreverence and ambivalence. She explores the role of history and the archive, and the links contemporary society has with its predecessors. '[T]he rituals of modern mass culture have created a shifting and transient sense of the sacred, now invested in the political ideology of the moment, romantic love of nature, charismatic leaders, jingoistic nationalism, idealized domesticity, or endless cults, fads, ephemera. If societies demand rituals, then changing societies will produce changing rituals'.

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